Archive for the 'Books' Category

This is Tim’s tattoo:

My tattoo is of the Cheshire Cat from Lewis Carol’s Alice’s Adventures in Wonderland (original art by John Tenniel 1865). The Cheshire Cat is the only creature in Wonderland who uses logic. Though his words often seem mocking and bizarre, his process is always logical. To me the Cheshire Cat symbolizes the fragility of the border between genius and insanity.

Alice: Would you please tell me which way I ought to walk from here?
Cat: That depends a good deal on where you want to get to.
Alice: I don’t much care where –
Cat: Then it doesn’t matter which way you walk.
Alice: — so long as I get
somewhere.
Cat: Oh, you’re sure to do that, if you only walk long enough.

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“The chief difficulty Alice found at first was in managing her flamingo.”

- From “Alice’s Adventures in Wonderland” by Lewis Carroll, illustrated by John Tenniel.

This is Jennifer C.’s tattoo:

When I was young, I would lose myself in “Alice’s Adventures in Wonderland”. It was the most imaginative story I had ever heard. This illustration comes from the amazing John Tenniel – his images were always my favorite.

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Alice’s Adventures In Wonderland and Through the Looking Glass by Lewis Carroll are 2 of my favourite books of all time.  Tim Burton’s Alice in Wonderland film comes out on March 5th, so it’s a perfect time for an Alice theme week!

“But I don’t want to go among mad people,” Alice remarked.
“Oh, you can’t help that,” said the cat: “We’re all mad here. I’m mad. You’re mad.”
“How do you know I’m mad?” said Alice.
“You must be,” said the cat, “Or you wouldn’t have come here.”

This is Jessica’s tattoo.  She says:

In a moment of dazed insanity, I impulsively decided that I needed these words somewhere I could easily see them. When I’m losing my mind, I look at my arm and remember that I’m not the only crazy person… everyone is nuts.
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This is Morgan’s tattoo:

The idea for this tattoo came from a quote out of Chuck Palahniuk’s book, Fight Club. The quote says, “It’s only after we’ve lost everything that we are free to do anything.

I was faced with the decision of whether or not to use you’ve/you or we’ve/we. I came to the conclusion that I wanted this tattoo to represent not only myself but also my view on society. It didn’t feel right to use the word “you” because I felt as though it would then become about the person reading it and not about what I have overcome. I also felt that by saying “we” it would stay faithful to my cynicism towards society and how I believe that people do not truly understand what it means to be free inside their own minds, which is what the book is about in the first place.

This tattoo represents having strength and independence and losing all fear no matter what situations we are dealt in life. Most importantly it’s about learning to face your pain full on with your head held high instead of denying that it affects you in the first place.

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I posted Hannah’s Peter, Paul & Mary tattoo a long time ago.  This is her new(er) tattoo.

“‘I’ll drop my final anchor with the wind howling in my ears above and the swish of bilge below me,’  he declared, and that way I’ll go content.’ And when the time came, I’m sure he went content.”

- From Cradle of the Deep, the fabricated autobiography by Joan Lowell.

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This is Anna’s tattoo:

It’s basically a reminder to live life and to experience it and spend time with those I love, and to spend time doing what I love.

“Hershel did not possess a family of his own. He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid.”

- Excerpt from Everything Is Illuminated by Jonathan Safran Foer.

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Feb 12

see hear feel

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This is Sarah’s tattoo:

I fell in love with Ulysses by James Joyce when I was in college studying literature, identifying with the bumbling, conflicted Leopold Bloom.

When my life was recently turned upside down by heartache, I was reminded of this line from the “Hades” chapter, spoken by Bloom: “Plenty to see and hear and feel yet.”

I modified the line to bring out the main points, and had it done in white ink on the inside of my wrist. Most artists don’t like to do white ink tattoos, but I wanted this tattoo to be for me and not immediately visible to anyone else. It’s my daily reminder that no matter what unexpected turns that life can take, there’s always something new around the corner.

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This is Nick’s tattoo:

Attached is a photograph of my own V.F.D. tattoo, located on the inside of my left ankle, from Lemony Snicket’s A Series of Unfortunate Events. It’s different from most you’ll see in that it’s based on Bret Helquist’s drawing in the ninth book, The Carnivorous Carnival (A Series of Unfortunate Events, Book 9). I chose this design over the other one because it was more obviously an eye, and less obviously the letters V.F.D.

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This is Ren’s tattoo.

Any new idea, Mahound, is asked two questions.
The first is asked when it’s weak:
WHAT KIND OF AN IDEA ARE YOU?
Are you the kind that compromises, does deals, accommodates itself to society, aims to find a niche, to survive;
or are you the cursed, bloody-minded ramrod-backed type of damnfool notion that would rather break than sway with the breeze?
- the kind that will almost certainly, ninety-nine times out of a hundred, be smashed to bits;
but the hundredth time, will change the world?

What’s the second question? Gibreel asked.

Answer the first one first.

- The Satanic Verses by Salman Rushdie

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Feb 03

Fig Tree

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This is Katie C.’s tattoo:

The reason I got it was because I can really relate to having many paths in my life I might take, and I want to remind myself that if I wait around for the perfect, right one, eventually all my choices will be gone.

“…I saw my life branching out before me like the green fig tree in the story.

From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn’t quite make out.

I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn’t make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”

- Sylvia Plath, The Bell Jar, Chapter 7
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  • Welcome to Contrariwise

    This is a website about literary tattoos. That is, tattoos based on books, poems, lyrics, and many other literary sources.

    My email address is jen@contrariwise.org, so send your comments / suggestions / praise / hate that way. If you want to submit your own tattoo (please do!), see this page.