This is Amy’s James Joyce tattoo.
The heaventree of stars hung with humid nightblue fruit.
- James Joyce, Ulysses, Episide 17 – Ithaca.
This tattoo belongs to J.M. Brown.
“You have asked me what I would do and what I would not do. I will tell you what I will do and what I will not do. I will not serve that in which I no longer believe, whether it call itself my home, my fatherland or my church: and I will try to express myself in some mode of life or art as freely as I can, and as wholly as I can, using for my defence the only arms I allow myself to use . . . silence, exile, and cunning.”
- James Joyce, A Portrait of the Artist as a Young Man
This is Sarah’s tattoo:
I fell in love with Ulysses by James Joyce when I was in college studying literature, identifying with the bumbling, conflicted Leopold Bloom.
When my life was recently turned upside down by heartache, I was reminded of this line from the “Hades” chapter, spoken by Bloom: “Plenty to see and hear and feel yet.”
I modified the line to bring out the main points, and had it done in white ink on the inside of my wrist. Most artists don’t like to do white ink tattoos, but I wanted this tattoo to be for me and not immediately visible to anyone else. It’s my daily reminder that no matter what unexpected turns that life can take, there’s always something new around the corner.
“…I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.”
- Molly Bloom in Ulysses by James Joyce